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Runtime: 1H 38 Minute synopsis: Four year-old Kun is disappointed when the new baby in his family promptly replaces him as the center of attention; he refuses to accept his little sister, Mirai. When a magical and mysterious gateway opens in the garden, Kun has the chance to encounter his family members when they were young themselves. He is also visited by an older girl with the same name as his sister, leading to a series of surprising adventures, which change how he sees the world Director: Mamoru Hosoda 2018 Drama.

Weilai de weiland. 7. 20[FRI] ボクは未来に出会った。スタジオ地図最新情報 news/media/event/goods/contents +最新情報一覧. Weilai de weilin. From acclaimed director Mamoru Hosoda ( Summer Wars, Wolf Children) and Japan’s Studio Chizu comes MIRAI, a daringly original story of love passed down through generations. When four-year-old Kun meets his new baby sister, his world is turned upside down. Named Mirai (meaning “future”), the baby quickly wins the hearts of Kun’s entire family. As his mother returns to work, and his father struggles to run the household, Kun becomes increasingly jealous of baby Mirai… until one day he storms off into the garden, where he encounters strange guests from the past and future – including his sister Mirai, as a teenager. Together, Kun and teenage Mirai go on a journey through time and space, uncovering their family’s incredible story. But why did Mirai come from the future? An official selection at Cannes Directors’ Fortnight, and the epic capstone of director Mamoru Hosoda’s career, Mirai is a sumptuous, magical, and emotionally soaring adventure about the ties that bring families together and make us who we are. Featuring the voices of John Cho ( Star Trek, Searching), Rebecca Hall (“The Town, ” “Christine”), and Daniel Dae Kim (“LOST”, “Hawaii Five-0”, “The Good Doctor”, 3AD Media).

Weilai de weiling. Weilai de weili. Mirai Japanese poster Japanese 未来のミライ Hepburn Mirai no Mirai Literally Mirai of the future Directed by Mamoru Hosoda [1] Produced by Nozomu Takahashi Yūichirō Saitō [2] Takuya Itō [3] Yūichi Adachi [4] Genki Kawamura [1] Written by Mamoru Hosoda [1] Starring Moka Kamishiraishi Haru Kuroki Gen Hoshino Kumiko Aso [5] Mitsuo Yoshihara Yoshiko Miyazaki Koji Yakusho [6] [7] Masaharu Fukuyama [1] Music by Masakatsu Takagi [1] Edited by Shigeru Nishiyama [1] Production company Studio Chizu [1] Distributed by Toho [1] Release date May 16, 2018 ( Directors' Fortnight) [8] July 20, 2018 (Japan) [9] Running time 98 minutes [10] [9] Country Japan [11] Language Japanese [11] Box office $28. 4 million [12] Mirai ( 未来のミライ, Mirai no Mirai, [1] literally Mirai of the Future [13]) is a 2018 Japanese animated adventure fantasy film written and directed by Mamoru Hosoda and produced by Studio Chizu. [11] It was premiered on May 16, 2018 at Directors' Fortnight [8] and released in Japan on July 20, 2018. [14] The film stars the voices of Moka Kamishiraishi, Haru Kuroki, Gen Hoshino, Kumiko Aso, Mitsuo Yoshihara, Yoshiko Miyazaki, Koji Yakusho and Masaharu Fukuyama. [5] [6] [7] It was released on August 23, 2018 in Australia, [15] September 20 in New Zealand [16] and November 2 in the United Kingdom and Ireland. [17] It was released on November 29 in the United States and Canada. [18] The film was nominated for Best Animated Feature Film at the 76th Golden Globe Awards, [19] Best Animated Feature at the 24th Critics' Choice Awards [20] and Best Animated Feature at the 91st Academy Awards; [21] it is the sixth anime film, and the first non- Ghibli anime film, to receive an Academy Award nomination in the category. [22] The film also won Best Animated Feature — Independent at the 46th Annie Awards. [23] Plot [ edit] Kun is a three-year-old boy born to an executive mother and an architect father. The family lives in a stepped house in Isogo-ku, Yokohama that Kun's father designed around a tree, where Kun spends his days playing with the family dog, Yukko, and his beloved toy train sets. When Kun is four, his sister Mirai, Japanese for "future", is born, and he is happy at first when his mother returns home with her. But he soon grows jealous when his parents focus all their attention on her, and has to be restrained from hitting her with one of his toy trains. He lashes out first at his mother, and then at his father when he becomes a stay-at-home dad working from home while his mother returns to work. After one such tantrum, Kun stomps off to the house's garden, where he meets a strange man who claims to be the "prince" of the house. As the man endlessly whines about how he lost all the parents' attention when Kun was born, Kun realizes that the man is actually Yukko turned into a human. Kun even finds Yukko's tail on the man; when he removes it and places it on himself, he transforms into a dog morph. Later on, a now collected Kun tells his parents about how he had so much fun running around the house as a dog, and he relays Yukko's complaints about how they treat him. Girls Day rolls around, and the family set up the traditional dolls to wish Mirai good luck. But they neglect to put the dolls away after the holiday ends. Frustrated again with their parents' focus on Mirai, Kun runs back to the garden. This time he meets a middle school aged girl who claims to be Mirai from the future, whom Kun is able to recognize by the birthmark on her right hand. She has somehow gone back in time out of concern that every day the dolls are not put away adds one year before she can marry. After a lot of bumbling, future Mirai is able to put the dolls away with help from Kun and humanized Yukko. Kun's grandmother shows him photos of his mother when she was Kun's age. But he continues to attack his mother by leaving his toys everywhere on the floor. He runs out to the garden again, where he is transported a couple of decades to the past. In town, he runs into a little girl whom he recognizes from the photos as his mother. The girl is angry at her mother for refusing to give her a pet cat. They return to her home, where the little girl says that things would look better all messed up, and then starts dumping toys all over the floor and food all over the table. But then her mother, Kun's grandmother, returns home. Kun is forced out of the house and leaves out the back door, but he overhears his grandmother furiously scolding the little girl, and the girl, his future mother, sobbing hysterically. Kun returns to his own time, and now shows sympathy for his mother, but still continues to complain and whine about every little thing. Kun gets a bike with training wheels for a present, but wants to learn how to ride the bike without them after seeing older kids on bikes at the park. His father helps him as best as he can, but Kun seems not able to keep the bike upright. Back home, Kun runs back to the garden, where he is transported to a workshop in rural Japan many decades ago. A young man with an injured leg introduces Kun to the many horses near his shop. He takes an initially afraid Kun on a ride on one of the horses, and then on his motorcycle. Back in his own time days later, Kun successfully rides his bike using what he learned from his previous rides. Kun's mother shows him more photos, revealing the man to be his great-grandfather, who worked on motorcycles and engines in his youth but who died just recently. Finally, the family decides to set out for a day trip. But Kun once again throws a fit over not being able to wear his favorite yellow pants (because they were in the laundry and he had to wear blue pants), and then runs off to hide. When he comes out, he finds his whole family gone. In the garden, he finds a train station (the Isogo Station) with a train approaching. A boy in his late teens warns him not to board the train, but Kun disobeys him. The train takes Kun to the Tokyo Station, but there he panics about being all alone. He finds a lost and found attendant who needs the name of a relative to page for, but Kun realizes that he doesn't even know the names of his own parents. The attendant sends Kun to a dragon shaped bullet train, telling him that if they can't find anyone to pick him up, he must board that train to take him to "Lonely Land, " which is essentially hell. He spots baby Mirai about to board the train and rescues her, pleading that they not be sent on this train. At this point Kun finally acknowledges that he is Mirai's older brother, and the attendant can now page her. Baby Mirai disappears, and future Mirai shows up to take Kun home by flying through the air. They land in the tree, which houses all the family folklore. Kun sees that his father was too physically weak to ride a bike when he was young, when Yukko left his dog-mom to become a pet, that his mother stopped liking cats when she saw a stray one kill a bird, the World War II battle that left his great-grandfather's leg injured, and the race he ran to win the heart of Kun's great-grandmother. Kun also sees the future, and discovers that the teenager at the Isogo Station is future Kun. Back at his own time, Kun decides that he can go on the trip just fine with his blue pants, and he goes on said trip with both his parents and his little sister. Voice cast [ edit] Kun Ota [24] [25] ( 太田くん, Ōta Kun) Voiced by: Moka Kamishiraishi (Japanese); Jaden Waldman (English) [26] Mirai Ota [24] [25] ( 太田ミライ, Ōta Mirai) Voiced by: Haru Kuroki; Kaede Hondo (baby) (Japanese); Victoria Grace (English) [27] The father ( おとうさん, Otōsan) Voiced by: Gen Hoshino (Japanese); John Cho (English) [28] The mother ( おかあさん, Okāsan) Voiced by: Kumiko Aso [5] (Japanese); Rebecca Hall (English) [28] Mysterious man [24] ( 謎の男, Nazo no otoko) Voiced by: Mitsuo Yoshihara (Japanese); Crispin Freeman (English) [26] The grandmother [24] ( ばあば, Bāba) Voiced by: Yoshiko Miyazaki (Japanese); Eileen T'Kaye (English) [26] The grandfather [24] ( じいじ, Jiiji) Voiced by: Koji Yakusho [6] [7] (Japanese); Victor Brandt (English) [29] The great-grandfather ( 青年, Seinen, literally "young man") Voiced by: Masaharu Fukuyama (Japanese); Daniel Dae Kim (English) [28] [30] Production [ edit] Hosoda was partially inspired to write the script for Mirai after seeing his then-three-year-old son's first reactions to having a baby sister in his life. [31] While initially only cautious of the newborn when meeting her for the first time, Hosoda's son threw a tantrum one day, jealous of the attention that his parents were giving his sister. [32] Hosoda's curiosity with how his son reacted, and how he would adapt to being a big brother, prompted him to make the protagonist of Mirai four years old. [33] By making the protagonist so young, Hosoda wanted to capture how life would be like at such a young age. To do this, he brought his own children to the Studio Chizu office so that animators had plenty of reference material to sketch and animate from. [32] [34] Hosoda also wanted to use the fantasy elements of Mirai to propel inner character development, stating, "[... ] when the main character meets other people through those elements and changes — it’s not those elements that help him change; it’s really what he feels inside. ” [35] Since Mirai was about "how a family can change but always [remained] itself", Hosoda chose to have the film take place in Yokohama, a "city that is constantly changing". [36] Kun's great-grandfather's story was loosely based on Hosoda's wife's great-grandfather, who also worked on warplanes and became injured in wartime conflict. [37] To achieve better authenticity, Hosoda worked with professionals outside of the animation industry to design some of the assets used in the film. [38] Kun's family's house, designed on-screen by Kun's father, was actually designed by real-life architect Makoto Tanijiri. [38] [36] For the sequence where Kun is alone at the train station, Hosoda consulted with Japanese engineer Hideo Shima, designer of Japan's bullet train, to create a model of the shinkansen that was more frightening. [31] In addition, the paper cutouts of strangers that Kun meets were designed by children's book author and illustrator duo Tupera Tupera, whose books his son loves. [31] [39] Music [ edit] Masakatsu Takagi, who had previously scored Hosoda's Wolf Children and The Boy and the Beast, returned to write the soundtrack for Mirai. [40] Takagi's initial film score was more pop-oriented with Brazilian influences, but Hosoda wanted something more simple and reflective of family. [40] [41] Singer-songwriter Tatsuro Yamashita provided the theme songs for the film: "Mirai no Theme" and "Music train". This is the second time that Yamashita collaborated with Hosoda since his 2009 film Summer Wars. The two songs were included in his 51st single, released on July 11. [42] [43] Promotion and release [ edit] Mirai premiered at Directors' Fortnight, an independent section held in parallel to the Cannes Film Festival, [44] on May 16, 2018 [8] and then was shown at Annecy International Animation Film Festival and the Sydney Film Festival in June. [45] [46] The film was released in Japan on July 20, 2018. [14] Madman Entertainment acquired the film for Australia and New Zealand, brought the film to the Sydney Film Festival [46] and then released it theatrically on August 23, 2018 in Australia and September 20 in New Zealand. [47] Anime Limited released the film in the United Kingdom and Ireland, premiering the film at BFI London Film Festival on October 13, 2018, [48] followed theatrical releases on November 2 in Japanese and November 4 in English. [49] GKIDS acquired the film for North America, and premiered the film at the Animation Is Film Festival in Los Angeles on October 19, 2018, [50] with a national release on November 29. [18] [51] [52] To promote the release of the film, the Tokyo Dome Hotel featured Mirai -themed rooms between August 18 and September 16, 2018. [53] [54] In addition, a Hosoda film exhibition, featuring production materials from Mirai and his other movies, was available at Tokyo Dome City 's Gallery AaMo from July 25 to September 17, 2018. [55] [56] Children's picture books were also released on July 20 and August 2, 2018. [57] Reception [ edit] Box office [ edit] Domestically, Mirai opened at #2 in Japan, earning approximately ¥ 400, 000, 000 on opening weekend. [58] This was a 40% decrease from The Boy and the Beast 's ¥ 5, 000, 000, 000 in opening weekend gross earnings. [59] [60] It fell from #2 to #3 in its second weekend, earning roughly ¥ 289, 012, 900 based on 215, 000 additional tickets sold. [58] Overall, Mirai grossed a total of $23, 683, 483 in Japan. [61] In the United States, Mirai earned a total of $812, 794. [62] Globally, the film earned $28, 185, 289 worldwide. [63] Critical response [ edit] On review aggregator Rotten Tomatoes, the film holds an approval rating of 91% based on 80 reviews, with an average rating of 7. 57/10. The website's critical consensus reads, "The simplicity and colorful warmth of Mirai 's animation is underscored by a story with surprising - and deeply affecting - depth and emotional resonance. " [64] On Metacritic, the film has a weighted average score of 81 out of 100 based on 18 critics, indicating "universal acclaim". [65] Peter Travers of the Rolling Stone gave Mirai four-and-a-half stars out of five, stating that despite the movie seeming like "[Hosoda's] smallest film", it "has an emotional resonance that defies its conventional underpinnings". [66] Bilge Ebiri of The New York Times praised the film, remarking that Hosoda "privileges moments of emotion over belabored story mechanics". [67] Variety 's Peter Debruge writes that while Mirai might be a "gentler and potentially younger-skewing film" than Hosoda's previous works, it is "the work of a true auteur (in what feels like his most personal film yet) presented as innocuous family entertainment". [68] On the other hand, Sara Stewart of the New York Post criticized its "outdated gender roles", referring to Kun's father being "hopelessly clumsy as caregiver", and said that Kun's temper tantrums were "a little grating to sit through". [69] Writing for, Simon Abrams believed the film's daydream sequences "simply don't feel like anything a real child would imagine". He further wrote: "Even the film's general theme— children can be overwhelming before they learn how to control their emotions— is only hinted at, never thoughtfully expressed. " [70] Accolades [ edit] Award Date of ceremony Category Recipient(s) Result Ref. Academy Awards February 24, 2019 Best Animated Feature Mamoru Hosoda & Yūichirō Saitō Nominated [71] Annie Awards February 2, 2019 Best Animated Feature — Independent Yūichirō Saitō, Takuya Itō, Yūichi Adachi and Genki Kawamura Won [72] Outstanding Achievement for Writing in an Animated Feature Production Mamoru Hosoda and Stephanie Sheh (English version) Asia Pacific Screen Awards November 29, 2018 Best Animated Feature Film [73] Critics' Choice Movie Awards January 13, 2019 Mamoru Hosoda [74] Crunchyroll Anime Awards February 16, 2019 Best Film Mirai [75] Florida Film Critics Circle Awards December 21, 2018 Best Animated Film [76] Gold Derby Awards February 17, 2019 [77] Golden Globe Awards January 6, 2019 [78] Japan Academy Prize March 1, 2019 Animation of the Year [79] Satellite Awards February 22, 2019 Best Animated or Mixed Media Feature [80] Washington D. C. Area Film Critics Association Awards December 3, 2018 [81] Stuttgart Animated Film Festival May 2019 AniMovie Award for Best Animated Feature Film [82] Other media [ edit] Novel [ edit] A novelisation of the film by Hosoda was announced on April 2018, was in three versions prior to the premiere of the film in Japan, published by Kadokawa. The first version was released under Kadokawa Bunko's literature label on June 15, the second version under Kadokawa Tsubasa Bunko on June 30, and the third version under Kadokawa Sneaker Bunko on July 1, 2018. [83] Yen Press announced at Anime Expo 2018 that they had licensed the novel for the English language. [84] The English translation was done by Winifred Bird. [85] They published it in hardcover and e-book on October 30. [86] References [ edit] ^ a b c d e f g h i "「未来のミライ」公式サイト".. ^ "齋藤優一郎". 映画-Movie Walker. ^ "伊藤卓哉". 映画-Movie Walker. ^ "足立雄一". 映画-Movie Walker. ^ a b c "Breath".. ^ a b c "Koji Yakusho".. ^ a b c "Koji Yakusho Official Site".. ^ a b c "Miraï". Quinzaine des réalisateurs. ^ a b "MIRAI". NIPPON TV. ^ "MIRAI". British Board of Film Classification. July 17, 2018. Retrieved January 22, 2019. ^ a b c "Mirai ma petie soeur: un film de Mamoru Hosoda" (PDF).. Archived from the original (PDF) on September 28, 2018. Retrieved January 12, 2019. ^ "Mirai no Mirai (2018) (2018) - Financial Information". The Numbers. Retrieved August 4, 2019. ^ Ressler, Karen (May 9, 2018). " Mirai of the Future Film Casts Musician Masaharu Fukuyama". Anime News Network. Retrieved May 23, 2017. ^ a b Pineda, Rafael Antonio (December 13, 2017). " Summer Wars' Hosoda Reveals Mirai no Mirai Film's Story, Staff, July Date in Teaser". Retrieved December 14, 2017. ^ "Mirai - In Cinemas Now". Mirai - In Cinemas Now. 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Retrieved March 19, 2019. ^ Ordoña, Michael (December 2, 2018). "How the Japanese animated feature 'Mirai' seeks to change the way children are seen on screen".. Retrieved March 22, 2019. ^ a b Toussaint, Egan (November 26, 2018). "Mamoru Hosoda on Mirai, Fatherhood and the Meaning of Life".. Retrieved March 22, 2019. ^ Picard, Sylvester (June 12, 2018). "Annecy 2018: Mamoru Hosoda: "donner des interviews me stimule énormément sur le plan créatif " ". (in French). Retrieved March 19, 2019. ^ a b Morrissy, Kim; May, Callum (November 28, 2018). "Interview: Mirai Director Mamoru Hosoda". Retrieved March 22, 2019. ^ "Mamoru Hosoda: «Il est impossible de porter une sensibilité divergente au sein du studio Ghibli»". Libé (in French). December 25, 2018. Retrieved March 19, 2019. ^ a b Lara, Wesley (November 29, 2018). "Behind the Music interview: Mirai's Takagi Masakatsu". Hidden Remote. Retrieved April 10, 2019. ^ Mallory, Michael (January 18, 2019). "2018's Animated Feature Composers Strike a Universal Chord". Animation Magazine. Retrieved April 10, 2019. ^ "「未来のミライ」公式サイト". (in Japanese). Retrieved February 17, 2019. ^ Komatsu, Mikikazu (April 6, 2018). "Tatsuro Yamashita Provides OP&Theme Songs for Mamoru Hosoda's New Film "Mirai of the Future " ". Crunchyroll (in Spanish). Retrieved February 17, 2019. ^ Sherman, Jennifer (April 17, 2018). "Cannes Hosts World Premiere of Mamoru Hosoda's Mirai of the Future Film". Retrieved June 23, 2018. ^ CITIA, ©. "Annecy > Programme > Index".. CS1 maint: numeric names: authors list ( link) ^ a b " Mirai ". Sydney Film Festival. Archived from the original on June 23, 2018. Retrieved August 24, 2018. ^ "August Anime New Releases". Madman Entertainment. Retrieved August 24, 2018. ^ Stevens, Josh A. (August 30, 2018). "Mamoru Hosoda's MIRAI heads to BFI London Film Festival for UK premiere". Retrieved September 21, 2018. ^ "Mamoru Hosoda's Mirai will open on 100 screens across the UK & Ireland from November 2nd". Twitter. July 25, 2018. Retrieved July 25, 2018. ^ Ressler, Karen (September 19, 2018). " Mirai, I Want to Eat Your Pancreas, Okko's Inn, Modest Heroes Films to Premiere at L. A. 's Animation is Film Festival in October". Retrieved September 21, 2018. ^ Chapman, Paul (April 18, 2018). "Mamoru Hosoda's MIRAI heads to 2018 Cannes Film Festival". Crunchyroll. Retrieved June 23, 2018. ^ Sherman, Jennifer (August 10, 2018). "GKIDS Releases Mirai Anime Film in U. S. Theaters on November 30". Retrieved August 24, 2018. ^ Dennison, Kara (July 25, 2018). "Tokyo Dome Hotel Creates MIRAI Magic in New Collaboration". Retrieved April 7, 2019. ^ "「未来のミライ」コラボレーションルーム特別宿泊プラン｜". Retrieved April 7, 2019. ^ Dennison, Kara (June 16, 2018). "Sneak a Peek at the Upcoming MIRAI Exhibition". Retrieved April 7, 2019. ^ Morrissy, Kim (August 6, 2018). "Real-Life Architect Designed the Set of Mamoru Hosoda's Mirai Film". Retrieved April 7, 2019. ^ Dennison, Kara (July 19, 2018). "Upcoming Film MIRAI Inspires Line of Picture Books". Retrieved April 7, 2019. ^ a b Pineda, Rafael Antonio (July 30, 2018). "Mirai, Pokemon, Bleach Films Each Fall 1 Spot at Japanese Box Office". Retrieved April 7, 2019. ^ Komatsu, Mikikazu (July 23, 2018). "Japan Box Office: Mamoru Hosoda's MIRAI Performs below Expectations, Live-Action Bleach Struggles". Retrieved April 7, 2019. ^ Pineda, Rafael Antonio (July 24, 2018). "Mamoru Hosoda's Mirai Opens at #2, Live-Action Bleach at #4". Retrieved April 10, 2019. ^ "Mirai no Mirai".. Retrieved April 7, 2019. ^ "Mirai (2018) - Box Office Mojo".. Retrieved April 7, 2019. ^ "Mirai no Mirai (2018) - Financial Information". Retrieved April 7, 2019. ^ "Mirai (2018)". Rotten Tomatoes. Fandango Media. Retrieved January 5, 2020. ^ "Mirai Reviews". Metacritic. CBS Interactive. 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"Spider-Man: Into the Spider-Verse Wins Critics' Choice Award Over Mirai". Retrieved April 7, 2019. ^ "The Crunchyroll Anime Awards".. Retrieved 2019-04-07. ^ Morgenstern, Hans (December 21, 2018). "2018 FFCC Winners". Florida Film Critics Circle. Retrieved April 7, 2019. ^ Wloszczyna, Susan; Montgomery, Daniel; Beachum, Chris; Dixon, Marcus James; Eng, Joyce; Sheehan, Paul (February 20, 2019). "Gold Derby Film Awards winners 2019: 'The Favourite' is the biggest champ, but 'Roma' takes Best Picture". GoldDerby. Retrieved April 7, 2019. ^ "Best Motion Picture - Animated".. Retrieved 2019-04-07. ^ "日本アカデミー賞公式サイト". 日本アカデミー賞協会の運営する公式サイト。日本アカデミー賞の概要、歴史の他、歴代の全受賞者受賞作品のデータを掲載。 (in Japanese). Retrieved April 7, 2019. ^ "2018 Winners | International Press Academy". Retrieved April 7, 2019. ^ "2018 WAFCA Award Winners - The Washington DC Area Film Critics Association (WAFCA)".. December 3, 2018. Retrieved April 7, 2019. ^ "Mamoru Hosoda's Mirai Film Wins Award at Stuttgart Animated Film Festival". 6 May 2019. Retrieved 6 May 2019. ^ Pineda, Rafael Antonio (April 19, 2018). " Mirai of the Future Film Gets Novelization by Hosoda". Retrieved September 21, 2018. ^ Ressler, Karen (July 8, 2018). "Yen Press Licenses Happy Sugar Life, Kakegurui Twins Manga, Penguin Highway, Walk on Girl, Mirai Novels (Updated)". Retrieved September 21, 2018. ^ "Mirai". Hillsborough County Public Library Cooperatie Catalog. Hillsborough County Public Library Cooperatie. Retrieved 26 December 2019. ^ "Mirai - Yen Press".. Retrieved April 7, 2019. External links [ edit] Official website (in Japanese) MIRAI at Nippon TV (in English) Australia and New Zealand official website United Kingdom and Ireland official website United States and Canada official website Mirai at Anime News Network 's encyclopedia Mirai on IMDb Mirai at Metacritic Mirai at Rotten Tomatoes Mirai at Box Office Mojo.

Weilai de weiliang. After such expansive fantasies as “Wolf Children” and “Summer Wars, ” Japanese animation master Mamoru Hosoda delivers a story of such intimate, unpretentious simplicity, you’d hardly recognize it as coming from the ambitious visionary behind those films. And yet “ Mirai ” — which inventively depicts the way a young boy’s world is turned upside down by the arrival of a baby sister — could not have been made by anyone else. It’s the work of a true auteur (in what feels like his most personal film yet) presented as innocuous family entertainment. Who but Hosoda could have imagined a scenario — every bit as enchanted as Charles Dickens’ “A Christmas Carol, ” though entirely original in its own right — in which four-year-old Kun comes to accept his initially unwelcome sister via a series of hallucinatory visitations from other members of his family: past (his war-hero grandfather and decades-younger mother), present (an anthropomorphic version of the pet dog), and future (Mirai, appearing as her later teenage self)? Real siblings don’t have it so easy, yet these magical interactions charmingly convey how bumpy it can be to make the adjustment from only child to older brother. In its home country, the film should appeal to tykes and appreciative parents alike, whereas Hosoda’s foreign followers — who’ve embraced the director as a more grown-up alternative to the relatively tame Studio Ghibli offerings that dominate the local box office — will miss seeing his most supernatural inclinations run wild (GKIDS will release the film in the States). That’s not to say “Mirai” doesn’t include its share of runaway magic, but in this case, the central narrative feels remarkably contained, right down to the fact that nearly the entire story takes place within Kun’s limited sphere: a one-of-a-kind home designed by his architect father, who’s also having to adjust, playing Mr. Mom while his wife goes off to work. The strange house has a key role in “Mirai, ” built on multiple levels with a large garden and a special tree — which may as well be a literal “family tree” — growing between Kun’s downstairs playroom (which represents the boy’s personal space, overrun by elaborate train tracks and scattered toys) and the communal living area visible across the yard (where his parents run the show, and the shift of focus that comes with Mirai’s arrival is most keenly felt). But in that curious open space between the split halves of the house, Kun plays alone, interacting with the aforementioned family members. The first and most surreal of these apparitions comes from Kun’s pet dachshund, who inexplicably transforms into a human prince — albeit one with a long, fluffy tail and a weakness for playing fetch. Then Kun’s mom shows up, barely more than a kid herself, to tell him how she wasn’t always the responsible adult he knows but a messy adolescent before she met his father. Grandfather takes Kun for a spin on a motorcycle, sharing advice with the boy. And finally, Mirai drops in, visiting from the future, to give her big brother a glimpse of the young woman she will become — and to win him over, not as the attention-hogging cry baby that his parents brought home but as a welcome playmate who happens to know just where he’s ticklish. Woven throughout all of Hosoda’s films has been a special attention to the kind of connections that define a family, though this is the first time the writer-director has so directly addressed the change that can affect those dynamics. (Remember, all-time great anime classic “My Neighbor Totoro” centers on an equivalently simple setup, observing a family’s move to a country home while the mother convalesces in a hospital. ) Here, Hosoda takes a realistic premise and sprinkles it with fantastical details that should feel intuitive for fans of his work, including run-ins with anthropomorphic animals (“The Boy and the Beast”) and the ability to fly or time-travel (“The Girl Who Leapt Through Time”). But it’s the small real-world touches that make “Mirai” so charming, including a moment (possible only in animation) in which Kun’s face comically distorts as he throws a tantrum and a scene where the brother and sister team up to take down a shrine that the distracted dad has forgotten to put away, potentially jeopardizing her future happiness. It all adds up to a gentler and potentially younger-skewing film than Hosoda’s previous output, and yet, emotionally speaking, “Mirai” reaches deeper, aided by a lovely, featherweight score from Masakatsu Takagi, subtly reinforcing the gradual evolution of the boy’s attitude toward his kid sister.

Mirai ( 未来のミライ, Mirai no Mirai)is a Japanese animated film directed by Mamoru Hosoda, which premiered on Japan on July 20, 2018. Plot Edit A family lives in a small house whose only child is the spoiled four-year-old Kun-chan. When Kun-chan gets a little sister named Mirai, he feels that his new sister stole his parents' love from him, and is overwhelmed by many experiences he undergoes for the first time in his life. In the midst of it all, he meets an older version of Mirai, who has come from the future. External Links Edit Official Edit Other Sources Edit Other Wikis Edit References Edit.